Essay of the Exhibition | ||
BITS AND PIECES THAT FOOL THE EYE Ken Knowlton's magnificent mosaic portrait could be viewed in several ways. From a distance thepicture was obviously a photograph of Einstein, but at closer view it dissolved into acollection of small seashells. It prompted to viewer to question assumptions about seeing and believing. He wrote the software for the main outline of the image then carefullyadjusted each shell by hand. ANCIENT PAINTING TECHNIQUES WITH NEW TWISTS Marjorie Mikasen's hard-edge oil painting on canvas was based on drawing
and computer modeling. Trudy Reagan's painting, a fractal-like labyrinth in acrylic
on lucite hung from the center of the gallery so it glowed
as the light shone through it. Patrick McCollum's abstract oil painting
on canvas is an example of what he calls Fractal Pointillism. Mike Mosher's
ink drawings were made on pages of his father's old notes for a physics
textbook as memorial and homage to his father, an electrical engineer. |
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Table of Contents Exhibition Statement Artists' Pages Essay of the Exhibition Index of Artists YLEM | ||